Anna Chkolnikova’s conceptual work spans site-specific installations, art-in-architecture, and multimedia projects exploring themes of memory, hidden traces, and the tension between forgetting and renewal. Her artwork revolves around conceptual theme of transience. She layers physical objects, texts, and architecture to uncover hidden or suppressed stories, characterising a fluid, floating intermediate state in her creations. Her installations invite viewers to follow subtle signs into a sensitive and elusive space where familiar perceptions shift and a sense of belonging can emerge.

Anna Chkolnikova: I would describe my art as the creation of a sensitive space in which, with parts in my installations, I create small signs, like the breadcrumbs in fairy tales, that one can follow to a place where the air feels expansive — the true way home. In this space, there is no certainty, and yet it is absolutely clear that this state exists—though it is impossible to describe. My work is a subtle conduct to that place.

Anna Chkolnikova (b. 1976 in Minsk, Belarus) lives and works in Berlin. She studied at the art academies in Minsk and Düsseldorf, where she was greatly influenced by her professor, Jannis Kounellis. Following a period at Carnegie Mellon University in Pittsburgh, she completed her Master of Fine Arts at the École Nationale Supérieure des Beaux-Arts in Paris in 2004. Her works have been shown at numerous venues, including the Zachęta – National Gallery of Art in Warsaw, the Museum of Contemporary Art in Kraków, the Łaźnia Centre for Contemporary Art in Gdańsk, the Galeria Arsenal in Białystok (all in Poland), the Izolyatsia platform for cultural initiatives in Kyiv, Ukraine, and the Contemporary Art Centre in Vilnius, Lithuania. After taking a parenting break, Chkolnikova resumed her artistic activities in 2020. In early summer 2025, she won an art-in-architecture competition, which she will realise for the Federal Ministry for the Environment in Berlin in 2029.