Letters are written in illegible handwriting, but the emotions can be “read” through the punctuation. This work represents both a presence and an absence at the same time. Here, the viewer becomes a spectator. Because they were not anticipated. The “letters” lie open on the table, but when the viewer ventures deeper, allowing themselves this gesture, they cannot read anything. And they must go even deeper and, following the lines of the illegible handwriting, read the breath and emotions through punctuation, the life of the line, time. And then they will be admitted and will forget about themselves and their judgments and will see themselves as understanding the author of these letters, receiving an answer.

Materials: Round black table 120 cm diameter, two letters , black silk paper folded sheet